Sam Hersbach

Location

Amsterdam (NL)


Artist Sam Hersbach makes paintings that present a world of wandering creatures and wayward rivers. Some of the creatures are looking for physical extensions, or power imbalances. Other works show nothing but mountains. The ‘Dutch Mountains’ represent a suggestive world, while the figurative pieces have a more narrative nature.

Sam Hersbach is part of the research group that has been put together by Billytown and The Archives.

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Between two purple trees. Self-fishing bowling, small world summersault, 2020

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Between two purple trees. Self-fishing bowling, small world summersault, 2020

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Dragon faeces, 2020

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Dragon faeces, 2020

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Drone bijt-vervlieging berg oog 1, 2020

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Drone bijt-vervlieging berg oog 1, 2020

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Naaste zicht en verwaterings-houvast, 2020

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Naaste zicht en verwaterings-houvast, 2020

Themes like power, technological applications and incompetence are exposed through monstrous metamorphoses and awkward heroic shields. The pieces hover between suggestion and definition. On one there is a figure looking through infra-red goggles and on another we find a drawing of a medieval hunting ground.

Sam on Constant

The work of Constant interests Sam because of the visual and conceptual diversity in Constant’s oeuvre. Sam is also intrigued by his usage of strong storytelling and conceptual elements, which can be found throughout various pieces.

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Moeder en kind, 1951

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Moeder en kind, 1951

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Verschroeide aarde III, 1951

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Verschroeide aarde III, 1951

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Verschroeide aarde I, 1951

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Verschroeide aarde I, 1951

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Verschroeide aarde II, 1951

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Verschroeide aarde II, 1951

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Gewonde duif, 1951

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Gewonde duif, 1951

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Rode sector, 1958

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Rode sector, 1958

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Gele sector, 1961

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Gele sector, 1961

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New Babylon-Antwerpen, 1963

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New Babylon-Antwerpen, 1963

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Leda, 1993

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Leda, 1993

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Prometheus, 1989

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Prometheus, 1989