We Is Future

Visions of New Communities

Theme

From 24 November 2023 to 17 March 2024, the Museum Folkwang will be highlighting ideas for a better life in an extensive thematic exhibition. The exhibition We Is Future: Visions of New Communities revolves around the longing for an ideal community in which people live in harmony with nature, in equality and harmony. The exhibition takes us through 135 years of artistic visions of living together, making a stop at Constant’s New Babylon.

Involved partners

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Grundriss New Babylon über Den Haag, 1964

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Grundriss New Babylon über Den Haag, 1964

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Wenzel Hablik-Frietragende Kuppel mit fünf Bergspitzen als Basis, 1918/1923/1924-copyright: Wenzel-Hablik-Museum

Description

Wenzel Hablik, Frietragende Kuppel mit fünf Bergspitzen als Basis, 1918/1923/1924. Copyright: Wenzel-Hablik-Museum

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Constant Nieuwenhuys-Kosmisch Landschapje, 1956

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Kosmisch Landschapje, 1956

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Klein labyr, 1961

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Klein labyr, 1961

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Ludwig von Hofmann-Das verlorene Paradies (Adam und Eva)-1893

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Ludwig von Hofmann, Das verlorene Paradies (Adam und Eva), 1893. Photo: Linda Breidert

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Gezicht op New Babylonische sectoren, 1971

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Gezicht op New Babylonische sectoren, 1971

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Hangende sector, 1961

Description

Hangende sector, 1961

Our current attitude to life is characterised by the threat to our living space. Demands for fundamental changes are therefore becoming increasingly urgent. What new ideas do we need for a future worth living? How can we rethink the seemingly unchangeable? What other ways of living are possible? Based on these current questions, the exhibition We Is Future: Visions of New Communities examines historical and current ideas for alternative forms of living together. Like two red threads, the link back to nature and a trust in technical innovation run through the artistic discussions. With around 150 works and a variety of media such as painting, sculpture, architectural designs, video and performance, the presentation extends to a walk-in installation by architect and artist Yussef Agbo-Ola (Olaniyi Studio) created especially for the exhibition.

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Spiegelzaal, 1972

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Spiegelzaal, 1972

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Tabita Rezaire-Orbit Diapason, 2021-photo (film still): Tabita Rezaire

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Tabita Rezaire, Orbit Diapason, 2021. Photo (film still): Tabita Rezaire

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Superstudio-Gli Atti Fondamentali, Vita (Supersuperficie). Frutta e vino, 1971-photo: Georges Meguerditchian

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Superstudio, Gli Atti Fondamentali, Vita (Supersuperficie). Frutta e vino, 1971. Photo: Georges Meguerditchian

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Constant Nieuwenhuys-Ruimtelandschap, 1957

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Ruimtelandschap, 1957

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Demonstratie, 1970

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Demonstratie, 1970

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Emma Talbot, Where Do We Come From? What Are We? Where Are We Going?, 2022-photo: Roberto Marossi

Description

Emma Talbot, Where Do We Come From? What Are We? Where Are We Going?, 2022. Photo: Roberto Marossi

The exhibition stages six chapters and a prologue in individual, interrelated architectural elements. One of the chapters is devoted to Constant’s New Babylon, a new modular and flexible living world depicted in numerous paintings, drawings and models after the Second World War. Here, the playing human being (homo ludens) builds their own environment for a new society. Besides visiting New Babylon, the exhibition moves through the Lebensreform (life reform) movement around 1900, the crystalline architectural designs of Bruno Taut and Wenzel Hablik, the Hippie Modernism of the 1960s-1980s, Afrofuturism and finally to other works of the present that propose a new connection with nature and all living beings.

The striving for an ideal community that does not (yet) exist or no longer exists is the unifying element and driving force of the exhibited works. A comprehensive accompanying programme will facilitate a direct exchange about the exhibition’s questions relevant to the present.