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The Future can be Humane

Image

Les expulsés, 1999, oil paint on linnen, Collection Fondation Constant

Description

Les expulsés | De verdrevenen, 1999

Constant (Constant Nieuwenhuijs, 1920–2005) was not only an artist but also one of the intellectual driving forces behind the Cobra movement (1948–1951). As such, he can be seen as one of the leading co-founders. He became an artist who always dared to explore new paths, did not shy away from challenging collaborations and was above all convinced of the important role that creativity and art play in our society.

Artist Antonis Pittas has selected the works of Constant to be shown in this exhibition. With this selection he wants to emphasise the image of Constant as an artist with a undaunted belief in a better world, in which collectivity, peace and creativity would prevail. The selection of around 40 paintings and works on paper ranges from the childlike works from the Cobra era – in which the bird regularly returns as a symbol of freedom – to works in which Constant refers to change and even revolution. In addition to his long-term project New Babylon, in which he visualised the society of the future, a number of works from the period after New Babylon are also shown. This is the first time that the Cobra Museum focuses on this later period in Constant’s oeuvre. The culmination of the late works is the oil painting Les expulsés that Constant painted in 1999 in reaction to the Kosovo War.

New work by contemporary artists
The museum has invited Antonio Jose Guzman and Antonis Pittas (both live and work in Amsterdam) to respond to Constant’s oeuvre and ideas. These internationally renowned artists have made new work especially for the occasion.

Date and time

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Theme

Location

Cobra Museum of Modern Art, Amstelveen